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地狱(英文原著)--丹·布朗

时间:2013-11-30 14:15:52  来源:  作者:丹·布朗  [ 下载本书 ]
简介:《炼狱》的主人公是回归的哈佛大学符号学教授罗伯特·兰登,小说以意大利为故事背景,以但丁的史诗《神曲2:炼狱篇》为中心,展开的一系列惊心动魄的历险故事。丹·布朗在小说中巧妙地融合了历史、艺术、密码和符号等元素,创造了一部崭新的惊悚悬疑小说。在谈到新书的创作过程时,丹·布朗称自己研读了6个月的相关资料,包括几个版本的《神曲》译本,不同的但丁研究者的注释,关于但丁的生平、哲学的历史文本以及关于佛罗伦萨的背景阅读,之后还前往佛罗伦萨和威尼斯,拜见了一些艺术史学家、图书馆学家和学者。...

   Inferno

  Brown, Dan
  About the Book
  ‘Seek and ye shall find.’
  With these words echoing in his head, eminent Harvard symbologist Robert Langdon awakes in a hospital bed with no recollection of where he is or how he got there. Nor can he explain the origin of the macabre object that is found hidden in his belongings.
  A threat to his life will propel him and a young doctor, Sienna Brooks, into a breakneck chase across the city of Florence. Only Langdon’s knowledge of hidden passageways and ancient secrets that lie behind its historic facade can save them from the clutches of their unknown pursuers.
  With only a few lines from Dante’s dark and epic masterpiece, The Inferno, to guide them, they must decipher a sequence of codes buried deep within some of the most celebrated artefacts of the Renaissance – sculptures, paintings, buildings – to find the answers to a puzzle which may, or may not, help them save the world from a terrifying threat…
  Set against an extraordinary landscape inspired by one of history’s most ominous literary classics, Inferno is Dan Brown’s most compelling and thought-provoking novel yet, a breathless race-against-time thriller that will grab you from page one and not let you go until you close the book.
  FOR MY PARENTS …
  Acknowledgments
  My most humble and sincere thanks to:
  As always, first and foremost, my editor and close friend, Jason Kaufman, for his dedication and talent … but mainly for his endless good humor.
  My extraordinary wife, Blythe, for her love and patience with the writing process, and also for her superb instincts and candor as a front-line editor.
  My tireless agent and trusted friend Heide Lange, for expertly navigating more conversations, in more countries, on more topics than I will ever know. For her skills and energy, I am eternally grateful.
  The entire team at Doubleday for its enthusiasm, creativity, and efforts on behalf of my books, with very special thanks to Suzanne Herz (for wearing so many hats … and wearing them so well), Bill Thomas, Michael Windsor, Judy Jacoby, Joe Gallagher, Rob Bloom, Nora Reichard, Beth Meister, Maria Carella, Lorraine Hyland, and also to the unending support of Sonny Mehta, Tony Chirico, Kathy Trager, Anne Messitte, and Markus Dohle. To the incredible people of the Random House sales department … you are unrivaled.
  My sage counsel Michael Rudell, for his pitch-perfect instincts on all matters, large and small, as well as for his friendship.
  My irreplaceable assistant Susan Morehouse, for her grace and vitality, and without whom all things descend into chaos.
  All of my friends at Transworld, in particular Bill Scott-Kerr for his creativity, support, and good cheer, and also to Gail Rebuck for her superb leadership.
  My Italian publisher Mondadori, especially Ricky Cavallero, Piera Cusani, Giovanni Dutto, Antonio Franchini, and Claudia Scheu; and my Turkish publisher Altin Kitaplar, particularly Oya Alpar, Erden Heper, and Batu Bozkurt, for the special services provided in connection with the locations in this book.
  My exceptional publishers around the world for their passion, hard work, and commitment.
  For their impressive management of the London and Milan translation sites, Leon Romero-Montalvo and Luciano Guglielmi.
  The bright Dr. Marta Alvarez González for spending so much time with us in Florence and for bringing to life the city’s art and architecture.
  The peerless Maurizio Pimponi for all he did to enhance our visit to Italy.
  All the historians, guides, and specialists who generously spent time with me in Florence and Venice, sharing their expertise: Giovanna Rao and Eugenia Antonucci at the Biblioteca Medicea Laurenziana, Serena Pini and staff at the Palazzo Vecchio; Giovanna Giusti at the Uffizi Gallery; Barbara Fedeli at the Baptistery and Il Duomo; Ettore Vito and Massimo Bisson at St. Mark’s Basilica; Giorgio Tagliaferro at the Doge’s Palace; Isabella di Lenardo, Elizabeth Carroll Consavari, and Elena Svalduz throughout all of Venice; Annalisa Bruni and staff at the Biblioteca Nazionale Marciana; and to the many others whom I’ve failed to mention in this abbreviated list, my sincere thanks.
  Rachael Dillon Fried and Stephanie Delman at Sanford J. Greenburger Associates for everything they do both here and abroad.
  The exceptional minds of Dr. George Abraham, Dr. John Treanor, and Dr. Bob Helm for their scientific expertise.
  My early readers, who provided perspective along the way: Greg Brown, Dick and Connie Brown, Rebecca Kaufman, Jerry and Olivia Kaufman, and John Chaffee.
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